| |
Choreography |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Staci Arriaga |
9 to 5, the Musical |
Lucky Penny Productions |
| Nicole Helfer |
She Loves Me |
Ross Valley Players & The Mountain Play |
| Dana Seghesio |
After Miss Julie |
Main Stage West |
| Katie Wickes |
Spring Awakening |
Marin Musical Theatre Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Staci Arriaga |
My Fair Lady |
Sonoma Arts Live |
| Nicole Helfer |
Cabaret |
San Francisco Playhouse |
| Nicole Helfer |
Groundhog Day, the Musical |
San Francisco Playhouse |
| Lee Ann Payne |
Anything Goes |
Hillbarn Theatre |
| Jeffrey Polk |
Hot Mikado |
42nd Street Moon |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Maija Garcia |
Kiss My Aztec! |
Berkeley Repertory Theatre |
| Alex Hsu |
Flower Drum Song |
Pala Alto Players |
| Matthew McCoy |
Hairspray |
Bay Area Musicals |
| Michella Snider |
A Gentleman's Guide to Love & Murder |
Spreckels Theatre Company |
| Leslie Waggoner |
American Psycho: The Musical |
Ray of Light Theatre |
| |
|
|
| |
|
|
| |
Costume Design |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Maria Graham |
Ma Rainey's Black Bottom |
Multi-Ethnic Theatre |
| Pamela Johnson |
Miss Bennet: Christmas at Pemberley |
Spreckels Theatre Company |
| Chia-Yu (Candice) Liao |
Cloud 9 |
Custom Made Theatre Company |
| Ariel Quenell-Silverstein |
Helen |
Theatre of Yugen |
| Kathleen Qiu |
Passion |
Custom Made Theatre Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Abra Berman |
Cabaret |
San Francisco Playhouse |
| Abra Berman |
The Chinese Lady |
Magic Theatre |
| Brooke Jennings |
Vinegar Tom |
Shotgun Players |
| Sarah Smith |
Mother of the Maid |
Marin Theatre Company |
| Rebecca Valentino |
Scrooge in Love! |
42nd Street Moon |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Fumiko Bielefeldt |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| Katie Dowse |
American Psycho: The Musical |
Ray of Light Theatre |
| Brooke Jennings |
Hairspray |
Bay Area Musicals |
| Clint Ramos |
Kiss My Aztec! |
Berkeley Repertory Theatre |
| David Zinn |
Seascape |
American Conservatory Theater |
| |
|
|
| |
|
|
| |
Lighting Design |
|
| |
|
|
| |
in a house with fewer than 100 seats |
| |
|
|
| April George |
Drumming with Anubis |
Left Edge Theatre |
| April George |
Faceless |
6th Street Playhouse |
| Beth Hersh |
Cry It Out |
Just Theater |
| Tina Johnson |
Passion |
Custom Made Theatre Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Jim Cave |
Creditors |
Aurora Theatre Company |
| York Kennedy |
Groundhog Day, the Musical |
San Francisco Playhouse |
| Wen-Ling Liao |
Significant Other |
San Francisco Playhouse |
| Kurt Landisman |
The Year of Magical Thinking |
Aurora Theatre Company |
| Chris Lundahl |
Mother of the Maid |
Marin Theatre Company |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Russell H. Champa |
Becky Nurse of Salem |
Berkeley Repertory Theatre |
| Alexander V. Nichols |
The Good Book |
Berkeley Repertory Theatre |
| Michael Palumbo |
The Language Archive |
TheatreWorks Silicon Valley |
| Weili Shi |
American Psycho: The Musical |
Ray of Light Theatre |
| Yi Zhao |
The Great Leap |
American Conservatory Theater |
| |
|
|
| |
|
|
| |
Set Design |
|
| |
|
|
| |
in a house with fewer than 100 seats
|
|
| |
|
|
| Bernadette Flynn |
When We Were Young and Unafraid |
Custom Made Theatre Company |
| Heather Kenyon |
American Hero |
Custom Made Theatre Company |
| Tom O'Brien |
The Mousetrap |
Ross Valley Players |
| Seafus Smith |
Admissions |
Los Altos Stage Company |
| Michael Walraven |
The Humans |
Novato Theater Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Nina Ball |
Vinegar Tom |
Shotgun Players |
| Andrew Boyce |
In Old Age |
Magic Theatre |
| Sean Fanning |
Mother of the Maid |
Marin Theatre Company |
| Edward T. Morris |
Groundhog Day: The Musical |
San Francisco Playhouse |
| Jacquelyn Scott |
Cabaret |
San Francisco Playhouse |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Andrea Bechert |
The Language Archive |
TheatreWorks Silicon Valley |
| Miriam Buether |
The Jungle |
The Curran |
| Tim Mackabee |
Archduke |
TheatreWorks Silicon Valley |
| Joe Ragey |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| David Zinn |
Seascape |
American Conservatory Theater |
| |
|
|
| |
|
|
| |
Sound Design |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Billie Cox |
These Shining Lives |
Ross Valley Players |
| Larry Tasse |
Fahrenheit 451 |
Quantum Dragon Theatre |
| Bruce Vieira |
Deathtrap |
Ross Valley Players |
| Joe Winkler |
The Nether |
Left Edge Theatre |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| James Ard |
Exit Strategy |
Aurora Theatre Company |
| Elton Bradman |
Kill Move Paradise |
Shotgun Players & Lorraine Hansberry Theatre |
| Mikhail Fiksel |
King of the Yees |
San Francisco Playhouse |
| Sara Huddleston |
In Old Age |
Magic Theatre |
| Jake Rodriguez |
Oedipus El Rey |
Magic Theatre |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Mark Bennett, Charles Coes |
The Good Book |
Berkeley Repertory Theatre |
| Joseph Cerqua |
Rhinoceros |
American Conservatory Theater |
| Jerry Girard |
American Psycho: The Musical |
Ray of Light Theatre |
| Jake Rodriguez |
The Great Leap |
American Conservatory Theater |
| Mikaal Sulaiman |
White Noise |
Berkeley Repertory Theatre |
| |
|
|
| |
|
|
| |
Projection Design |
|
| |
|
|
| Hana S. Kim |
The Great Leap |
American Conservatory Theater |
| Alexander V. Nichols |
The Good Book |
Berkeley Repertory Theatre |
| Aaron Rhyne |
Anastasia |
SHNSF |
| Erik Scanlon |
American Psycho: The Musical |
Ray of Light Theatre |
| Chris Schloemp |
A Gentleman's Guide to Love & Murder |
Spreckels Theatre Company |
| |
|
|
| |
|
|
| |
Specialties |
|
| |
|
|
| Jessica Berman, Lisa Wentz - Dialect Coach |
Faith Healer |
Phoenix Arts Association |
| Nancy Carlin - Dialect Coach |
Vinegar Tom |
Shotgun Players |
| Lydia Fine, Nick Lehane - Shadow Puppetry |
The Tale of Despereaux |
Berkeley Repertory Theatre |
| Jamie Harrison - Illusions and Magic |
Harry Potter and The Cursed Child |
The Curran |
| Jacquelyn Scott - Tattoo Artistry |
Oedipus El Rey |
Magic Theatre |
| |
|
|
| |
|
|
| |
Original Script |
|
| |
|
|
| Hershey Felder |
Hershey Felder: A Paris Love Story |
TheatreWorks Silicon Valley |
| Dan Hoyle |
Border People |
The Marsh |
| Sarah Ruhl |
Becky Nurse of Salem |
Berkeley Repertory Theatre |
| David Templeton |
Drumming with Anubis |
Left Edge Theatre |
| Mfoniso Udofia |
In Old Age |
Magic Theatre |
| |
|
|
| |
|
|
| |
Original Music |
|
| |
|
|
| David Evans - Music/Stephen Cole - Lyrics |
Merman's Apprentice |
Sonoma Arts Live |
| Paul Gordon - Music & Lyrics |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| Chris Houston - Composer |
Mother of the Maid |
Marin Theatre Company |
| Pigpen Theatre Co. - Music & Lyrics |
The Tale of Despereaux |
Berkeley Repertory Theatre |
| Benjamin Velez - Music |
|
|
| B. Velez, David Kamp, John Leguizamo - Lyrics |
Kiss My Aztec! |
Berkeley Repertory Theatre |
| |
|
|
| |
|
|
| |
Music Direction |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Jake Gale |
Spring Awakening |
Marin Musical Theatre Company |
| Brian Allan Hobbs |
Passion |
Custom Made Theatre Company |
| Lucas Sherman |
You're a Good Man, Charlie Brown |
Novato Theater Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Eryn Allen |
Once |
42nd Street Moon |
| Daniel Alley |
Vinegar Tom |
Shotgun Players |
| Ken Brill |
Scrooge in Love! |
42nd Street Moon |
| Dave Dobrusky |
Cabaret |
San Francisco Playhouse |
| Dave Dobrusky |
Groundhog Day: The Musical |
San Francisco Playhouse |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Jon Gallo |
Violet |
Bay Area Musicals |
| David Möschler |
Caroline, or Change |
Ray of Light Theatre |
| William Liberatore |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| Daniel Weidlein |
A Chorus Line |
Transcendence Theatre Company |
| Dan Wheetman |
Mark Twain's River of Song |
TheatreWorks Silicon Valley |
| |
|
|
| |
|
|
| |
Stage Direction |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Stuart Bousel |
Passion |
Custom Made Theatre Company |
| Jenny Boynton |
Spring Awakening |
Marin Musical Theatre Company |
| Ariel Craft |
Free for All: A New Miss Julie for a New World |
Cutting Ball Theater |
| Gary Landis |
Admissions |
Los Altos Stage Company |
| Ken Savage |
Transfers |
Crowded Fire Theater |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Ariel Craft |
Vinegar Tom |
Shotgun Players |
| Susi Damilano |
Cabaret |
San Francisco Playhouse |
| Susi Damilano |
Groundhog Day: The Musical |
San Francisco Playhouse |
| Cindy Goldfield |
Once |
42nd Street Moon |
| Jasson Minadakis |
Mother of the Maid |
Marin Theatre Company |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Jason Hoover |
American Psycho: The Musical |
Ray of Light Theatre |
| Anne Kauffman |
Becky Nurse of Salem |
Berkeley Repertory Theatre |
| Robert Kelley |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| Lisa Peterson |
The Good Book |
Berkeley Repertory Theatre |
| Tony Taccone |
Kiss My Aztec! |
Berkeley Repertory Theatre |
| |
|
|
| |
|
|
| |
Solo |
|
| |
|
|
| Hershey Felder |
Hershey Felder: A Paris Love Story |
TheatreWorks Silicon Valley |
| Dan Hoyle |
Border People |
The Marsh |
| Steven Anthony Jones |
How I Learned What I Learned |
Marin/Ubuntu/Lorraine Hansberry Theatre |
| Stacy Ross |
The Year of Magical Thinking |
Aurora Theatre Company |
| Patrick Varner |
Fully Committed |
6th Street Playhouse |
| |
|
|
| |
|
|
| |
Featured Actress - Play |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Taylor Diffenderfer |
Miss Bennet: Christmas at Pemberley |
Spreckels Theatre Company |
| Marilyn Hughes |
The Humans |
Novato Theater Company |
| Judith Miller |
Admissions |
Los Altos Stage Company |
| Renee Rogoff |
When We Were Young and Unafraid |
Custom Made Theatre Company |
| Alison Whismore |
Transfers |
Crowded Fire Theater |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Rinabeth Apostol |
King of the Yees |
San Francisco Playhouse |
| Millie Brooks |
Testmatch |
American Conservatory Theater |
| Sam Jackson |
Exit Strategy |
Aurora Theatre Company |
| Liz Sklar |
Mother of the Maid |
Marin Theatre Company |
| Jasmine Milan Williams |
Bull in a China Shop |
Aurora Theatre Company |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Sarah Nina Hayon |
Seascape |
American Conservatory Theater |
| Denmo Ibrahim |
The Good Book |
Berkeley Repertory Theatre |
| Emily Kuroda |
The Language Archive |
TheatreWorks Silicon Valley |
| Ivy Rose Miller |
Hamlet |
Spreckels Theatre Company |
| Gabriella Momah * |
Top Girls |
American Conservatory Theater |
| * identifies as non-binary |
|
|
| |
|
|
| |
Featured Actor - Play |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| David Boyll |
American Hero |
Custom Made Theatre Company |
| John Craven |
Heathen Valley |
Main Stage West |
| Evan Held |
Miss Bennet: Christmas at Pemberley |
Spreckels Theatre Company |
| Edward McCloud |
Faceless |
6th Street Playhouse |
| Elijah Pinkham |
Heathen Valley |
Main Stage West |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Tre'Vonne Bell |
Exit Strategy |
Aurora Theatre Company |
| Kevin R. Free |
Wink |
Marin Theatre Company |
| Brennan Pickman-Thoon |
Mother of the Maid |
Marin Theatre Company |
| Sean San Jose |
Oedipus El Rey |
Magic Theatre |
| Robert Sicular |
Mother of the Maid |
Marin Theatre Company |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Elijah Alexander |
The Good Book |
Berkeley Repertory Theatre |
| Seann Gallagher |
Seascape |
American Conservatory Theater |
| Lance Gardner |
The Good Book |
Berkeley Repertory Theatre |
| Francis Jue |
The Language Archive |
TheatreWorks Silicon Valley |
| Wayne Wilcox |
The Good Book |
Berkeley Repertory Theatre |
| |
|
|
| |
|
|
| |
Featured Actress - Musical |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Kristine Ann Lowry |
Spring Awakening |
Marin Musical Theatre Company |
| Juliana Lustenader |
Passion |
Custom Made Theatre Company |
| Karen Pinomaki |
Cabaret |
Lucky Penny Productions |
| Chelsey Ristaino |
She Loves Me |
Ross Valley Players & The Mountain Play |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Jennie Brick |
Cabaret |
San Francisco Playhouse |
| Abigail Campbell |
Sister Act |
Theatre Rhinoceros |
| Julia Holsworth |
Merman's Apprentice |
Sonoma Arts Live |
| Sophia Introna |
Groundhog Day: The Musical |
San Francisco Playhouse |
| Kyra Lynn Kozlenko |
110 in the Shade |
42nd Street Moon |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Markalia Dyson |
Caroline, or Change |
Ray of Light Theatre |
| Miranda Long |
Violet |
Bay Area Musicals |
| Melissa Momboisse |
Hairspray |
Bay Area Musicals |
| Heather Orth |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| Jade Shojaee |
Gypsy |
Bay Area Musicals |
| |
|
|
| |
|
|
| |
Featured Actor - Musical |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Nelson Brown |
Spring Awakening |
Marin Musical Theatre Company |
| Jake Gale |
You're a Good Man, Charlie Brown |
Novato Theater Company |
| Anthony Maglio |
She Loves Me |
Ross Valley Players & The Mountain Play |
| F. James Raasch |
Cabaret |
Lucky Penny Productions |
| Tim Setzer |
Cabaret |
Lucky Penny Productions |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Stephen Kanaski |
Newsies |
Hillbarn Theatre |
| Dean Linnard |
Groundhog Day: The Musical |
San Francisco Playhouse |
| Louis Parnell |
Cabaret |
San Francisco Playhouse |
| Chris Vettel |
Fiorello! |
42nd Street Moon |
| Chad Yarish |
My Fair Lady |
Sonoma Arts Live |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Dave Abrams |
Hairspray |
Bay Area Musicals |
| Clay David |
Violet |
Bay Area Musicals |
| Kyle Ewalt |
American Psycho: The Musical |
Ray of Light Theatre |
| Zachary Infante |
Kiss My Aztec! |
Berkeley Repertory Theatre |
| Chris Vettel |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| |
|
|
| |
|
|
| |
Principal Actress - Play |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Nancy Carlin |
Copenhagen |
Indra's Net Theater |
| Amber Collins Crane |
Incidents in The Wicked Life of Moll Flanders |
Ross Valley Players |
| Stacy Ross |
Free for All: A New Miss Jule for a New World |
Cutting Ball Theater |
| Stacy Ross |
When We Were Young and Unafraid |
Custom Made Theatre Company |
| J. J. Van Name |
The Cake |
New Conservatory Theatre Center |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Sherman Fracher |
Mother of the Maid |
Marin Theatre Company |
| Sam Jackson |
Kings |
Shotgun Players |
| Nancy Moricette |
In Old Age |
Aurora Theatre Company |
| Megan Trout |
Vinegar Tom |
Shotgun Players |
| Lorraine Velez |
Oedipus El Rey |
Magic Theatre |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Aimé Donna Kelley |
White Noise |
Berkeley Repertory Theatre |
| Ellen McLaughlin |
Seascape |
American Conservatory Theater |
| Francesca Fernandez McKenzie |
The Good Person of Szechwan |
California Shakespeare Theatre |
| Annette O'Toole |
The Good Book |
Berkeley Repertory Theatre |
| Pamela Reed |
Becky Nurse of Salem |
Berkeley Repertory Theatre |
| |
|
|
| |
|
|
| |
Principal Actor - Play |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Caleb Cabrera |
Transfers |
Crowded Fire Theater |
| Brennan Pickman-Thoon |
The Gentleman Caller |
New Conservatory Theatre Center |
| Chris Schloemp |
Drumming with Annubis |
Left Edge Theatre |
| Quincy Shaindlin |
Admissions |
Los Altos Stage Company |
| Phil Wong |
Free for All: A New Miss Julie for a New World |
Cutting Ball Theater |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Kyle Cameron |
Significant Other |
San Francisco Playhouse |
| Scott Coopwood |
Mother of the Maid |
Marin Theatre Company |
| Alfredo Huereca |
The Who & The What |
Marin Theatre Company |
| Francis Jue |
King of the Yees |
San Francisco Playhouse |
| Steven Anthony Jones |
In Old Age |
Magic Theatre |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Dan Hiatt |
Vanity Fair |
American Conservatory Theater |
| Keith Nobbs |
The Good Book |
Berkeley Repertory Theatre |
| Stephen Stocking |
Archduke |
TheatreWorks Silicon Valley |
| Jomar Tagatac |
The Language Archive |
TheatreWorks Silicon Valley |
| BD Wong |
The Great Leap |
American Conservatory Theater |
| |
|
|
| |
|
|
| |
Principal Actress - Musical |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Eileen Morris |
Half-Life - A Love Story |
Main Stage West |
| Heather Orth |
Passion |
Custom Made Theatre Company |
| Alison Peltz |
Sweeney Todd |
Novato Theater Company & Theatre-at-Large |
| Emily Dwyer/Claudia Shapiro |
Spring Awakening |
Marin Musical Theatre Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Cate Hayman |
Cabaret |
San Francisco Playhouse |
| Daniela Innocenti Beem |
Merman's Apprentice |
Sonoma Arts Live |
| Olivia Clari Nice |
Once |
42nd Street Moon |
| Emma Sutherland |
Merman's Apprentice |
Sonoma Arts Live |
| Sarah Wintermeyer |
My Fair Lady |
Sonoma Arts Live |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Jasmyne Brice |
Caroline, or Change |
Ray of Light Theatre |
| Cassie Grilley |
Hairspray |
Bay Area Musicals |
| Juliana Lustenader |
Violet |
Bay Area Musicals |
| Mary Mattison |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| Yani Marin |
Kiss My Aztec! |
Berkeley Repertory Theatre |
| |
|
|
| |
|
|
| |
Principal Actor - Musical |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| Ryan Hook |
Spring Awakening |
Marin Musical Theatre Company |
| John Melis |
Passion |
Custom Made Theatre Company |
| Bruce Vieira |
Sweeney Todd |
Novato Theater Company & Theatre-at-Large |
| Brian Watson |
Cabaret |
Lucky Penny Productions |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| Ryan Drummond |
Groundhog Day: The Musical |
San Francisco Playhouse |
| John Paul Gonzalez |
Cabaret |
San Francisco Playhouse |
| Keith Pinto |
Sweeney Todd |
Hillbarn Theatre |
| Brandon Noel Thomas |
Sister Act |
Theatre Rhinoceros |
| Colin Thomson |
Fiorello! |
42nd Street Moon |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| Kipp Glass |
American Psycho: The Musical |
Ray of Light Theatre |
| Justin Mortelliti |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| Joél Pérez |
Kiss My Aztec! |
Berkeley Repertory Theatre |
| Jon-David Randle |
Violet |
Bay Area Musicals |
| Tim Setzer |
A Gentleman's Guide to Love & Murder |
Spreckels Theatre Company |
| |
|
|
| |
|
|
| |
Ensemble |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| |
Admissions |
Los Altos Stage Company |
| |
Cloud 9 |
Custom Made Theatre Company |
| |
Copenhagen |
Indra's Net Theater |
| |
Drumming with Anubis |
Left Edge Theatre |
| |
Spring Awakening |
Marin Musical Theatre Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| |
King of the Yees |
San Francisco Playhouse |
| |
Oedipus El Rey |
Magic Theatre |
| |
Once |
42nd Street Moon |
| |
Mother of the Maid |
Marin Theatre Company |
| |
Vinegar Tom |
Shotgun Players |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| |
A Chorus Line |
Transcendence Theatre Company |
| |
The Good Book |
Berkeley Repertory Theatre |
| |
The Jungle |
The Curran |
| |
Mark Twain's River of Song |
TheatreWorks Silicon Valley |
| |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| |
|
|
| |
|
|
| |
Entire Production - East Bay |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| |
Copenhagen |
Indra's Net Theater |
| |
Down Here Below |
Ubuntu Theater Project |
| |
The Victorian Ladies Detective Collective |
Central Works |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| |
The Diary of Anne Frank |
Center Repertory Theatre |
| |
The Importance of Being Earnest |
Aurora Theatre Company |
| |
Kill Move Paradise |
Shotgun Players |
| |
Vinegar Tom |
Shotgun Players |
| |
The Year of Magical Thinking |
Aurora Theatre Company |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| |
Becky Nurse of Salem |
Berkeley Repertory Theatre |
| |
The Good Book |
Berkeley Repertory Theatre |
| |
The Good Person of Szechwan |
California Shakespeare Theatre |
| |
Kiss My Aztec! |
Berkeley Repertory Theatre |
| |
The Tale of Despereaux |
Berkeley Repertory Theatre |
| |
|
|
| |
|
|
| |
Entire Production - North Bay |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| |
Drumming with Anubis |
Left Edge Theatre |
| |
Eureka Day |
Spreckels Theatre Company |
| |
Faceless |
6th Street Playhouse |
| |
Miss Bennet: Christmas at Pemberley |
Spreckels Theatre Company |
| |
Spring Awakening |
Marin Musical Theatre Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| |
Merman's Apprentice |
Sonoma Arts Live |
| |
Mother of the Maid |
Marin Theatre Company |
| |
My Fair Lady |
Sonoma Arts Live |
| |
The Who & The What |
Marin Theatre Company |
| |
Wink |
Marin Theatre Company |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| |
A Chorus Line |
Transcendence Theatre Company |
| |
A Gentleman's Guide to Love & Murder |
Spreckels Theatre Company |
| |
Hamlet |
Spreckels Theatre Company |
| |
A Midsummer Night's Dream |
Marin Shakespeare Company |
| |
Rodgers and Hammerstein's Cinderella |
Spreckels Theatre Company |
| |
|
|
| |
|
|
| |
Entire Production - San Francisco |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| |
Border People |
The Marsh |
| |
Free for All: A New Miss Julie for a New World |
Cutting Ball Theater |
| |
Passion |
Custom Made Theatre Company |
| |
Transfers |
Crowded Fire Theater |
| |
When We Were Young and Unafraid |
Custom Made Theatre Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| |
Cabaret |
San Francisco Playhouse |
| |
Groundhog Day: The Musical |
San Francisco Playhouse |
| |
King of the Yees |
San Francisco Playhouse |
| |
Oedipus El Rey |
Magic Theatre |
| |
Once |
42nd Street Moon |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| |
American Psycho: The Musical |
Ray of Light Theatre |
| |
The Great Leap |
American Conservatory Theater |
| |
Harry Potter and the Cursed Child |
The Curran |
| |
The Jungle |
The Curran |
| |
Violet |
Bay Area Musicals |
| |
|
|
| |
|
|
| |
Entire Production - South Bay |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| |
Admissions |
Los Altos Stage Company |
| |
The How and The Why |
Dragon Productions Theatre Company |
| |
An Ideal Husband |
Pear Theatre |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| |
Anything Goes |
Hillbarn Theatre |
| |
Cat on a Hot Tin Roof |
San Jose Stage Company |
| |
Mothers and Sons |
City Lights Theatre Company |
| |
Sweeney Todd |
Hillbarn Theatre |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| |
Archduke |
TheatreWorks Silicon Valley |
| |
Flower Drum Song |
Palo Alto Players |
| |
The Language Archive |
TheatreWorks Silicon Valley |
| |
Mark Twain's River of Song |
TheatreWorks Silicon Valley |
| |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| |
|
|
| |
|
|
| |
Entire Production - Bay Area |
|
| |
|
|
| |
in a house with fewer than 100 seats |
|
| |
|
|
| |
Admissions |
Los Altos Stage Company |
| |
An Ideal Husband |
Pear Theatre |
| |
Border People |
The Marsh |
| |
Copenhagen |
Indra's Net Theater |
| |
Down Here Below |
Ubuntu Theater Project |
| |
Drumming with Anubis |
Left Edge Theatre |
| |
Eureka Day |
Spreckels Theatre Company |
| |
Faceless |
6th Street Playhouse |
| |
Free for All: A New Miss Julie for a New World |
Cutting Ball Theater |
| |
Miss Bennet: Christmas at Pemberley |
Spreckels Theatre Company |
| |
Passion |
Custom Made Theatre Company |
| |
Spring Awakening |
Marin Musical Theatre Company |
| |
The How and The Why |
Dragon Productions Theatre Company |
| |
The Victorian Ladies Detective Collective |
Central Works |
| |
Transfers |
Crowded Fire Theater |
| |
When We Were Young and Unafraid |
Custom Made Theatre Company |
| |
|
|
| |
in a house with 100 to 300 seats |
|
| |
|
|
| |
Anything Goes |
Hillbarn Theatre |
| |
Cabaret |
San Francisco Playhouse |
| |
Cat on a Hot Tin Roof |
San Jose Stage Company |
| |
Groundhog Day: The Musical |
San Francisco Playhouse |
| |
Kill Move Paradise |
Shotgun Players |
| |
King of the Yees |
San Francisco Playhouse |
| |
Merman's Apprentice |
Sonoma Arts Live |
| |
Mother of the Maid |
Marin Theatre Company |
| |
Mothers and Sons |
City Lights Theatre Company |
| |
My Fair Lady |
Sonoma Arts Live |
| |
Oedipus El Rey |
Magic Theatre |
| |
Once |
42nd Street Moon |
| |
Sweeney Todd |
Hillbarn Theatre |
| |
The Diary of Anne Frank |
Center Repertory Theatre |
| |
The Importance of Being Earnest |
Aurora Theatre Company |
| |
The Who & The What |
Marin Theatre Company |
| |
The Year of Magical Thinking |
Aurora Theatre Company |
| |
Vinegar Tom |
Shotgun Players |
| |
Wink |
Marin Theatre Company |
| |
|
|
| |
in a house with more than 300 seats |
|
| |
|
|
| |
A Chorus Line |
Transcendence Theatre Company |
| |
A Gentleman's Guide to Love & Murder |
Spreckels Theatre Company |
| |
A Midsummer Night's Dream |
Marin Shakespeare Company |
| |
American Psycho: The Musical |
Ray of Light Theatre |
| |
Archduke |
TheatreWorks Silicon Valley |
| |
Becky Nurse of Salem |
Berkeley Repertory Theatre |
| |
Flower Drum Song |
Palo Alto Players |
| |
Hamlet |
Spreckels Theatre Company |
| |
Harry Potter and the Cursed Child |
The Curran |
| |
Kiss My Aztec! |
Berkeley Repertory Theatre |
| |
Mark Twain's River of Song |
TheatreWorks Silicon Valley |
| |
Pride & Prejudice |
TheatreWorks Silicon Valley |
| |
Rogers and Hammerstein's Cimnderella |
Spreckels Theatre Company |
| |
The Good Book |
Berkeley Repertory Theatre |
| |
The Good Person of Szechwan |
California Shakespeare Theatre |
| |
The Great Leap |
American Conservatory Theater |
| |
The Jungle |
The Curran |
| |
The Language Archive |
TheatreWorks Silicon Valley |
| |
The Tale of Despereaux |
Berkeley Repertory Theatre |
| |
Violet |
Bay Area Musicals |
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